16, primavera 2007            [ESAURITO]
TEATRO E NEUROSCIENZE
L’apporto delle neuroscienze cognitive a una nuova teatrologia sperimentale
A cura di Francesca Bortoletti

Marco De Marinis
Introduzione

Richard Schechner
What is needed today in the collaboration between performance theorists and the sciences

Vittorio Gallese
Il corpo teatrale: mimetismo, neuroni specchio, simulazione incarnata

Maria Giulia Guiducci
Teatro e neuroscienze: elementi per una neurobiologia della scena

Jean-Marie Pradier
Théâtre et neurosciences. Ou l’interminable aporie

Richard Muscat - John J. Schranz
What is it to be human? A theatre neuroscience perspective

Antonello Colimberti
Marcel Jousse e una “nuova teatrologia dei sensi”

William O. Beeman
The neurobiology of Opera

Nicole Daunic
Mirror neurons: the neurological threshold between stage and reality

Ivar Hagendoorn
Can dance be disgusting or is it forever doomed to aestheticism?

Madeleine Barchevska
BioArt training: the first building block of a newly powerful theatre.
A practioner’s remarks about mirror neurons and the scientific and artistic implications of the discovery

Francesca Bortoletti
L’attore, lo specchio, lo spettatore. Una relazione mimetica