{"id":973,"date":"2013-05-27T14:46:22","date_gmt":"2013-05-27T12:46:22","guid":{"rendered":"http:\/\/archivi.dar.unibo.it\/?page_id=973"},"modified":"2018-07-30T11:15:01","modified_gmt":"2018-07-30T09:15:01","slug":"mediamutations-5","status":"publish","type":"page","link":"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/mediamutations\/mediamutations-5\/","title":{"rendered":"Mediamutations 5"},"content":{"rendered":"<p><strong>Ephemeral Media. Time, Persistence and Transience in Contemporary Screen Culture<\/strong><br \/>\nConvegno di studi &#8211; Bologna, 21-22 maggio 2013<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-973-1\" width=\"640\" height=\"360\" poster=\"\/files\/images\/20130521_mm5.jpg\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"\/files\/video2\/convegni\/20130521%20MediaMutations%205.mp4?_=1\" \/><a href=\"\/files\/video2\/convegni\/20130521%20MediaMutations%205.mp4\">\/files\/video2\/convegni\/20130521%20MediaMutations%205.mp4<\/a><\/video><\/div>\n<p>&nbsp;<\/p>\n<div id=\"pane1\" class=\"scroll-pane\" style=\"width: 980px; margin: auto; height: 240px; overflow-y: scroll;\">\n<div id=\"pane1\" class=\"scroll-pane\">\n<ul>\n<li class=\"scroll-pane\"><strong>Sara Pesce and Paul Grainge<\/strong>: <em>Introduction<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Claudio Bisoni, Veronica Innocenti<\/strong>: <em>About MM4 proceedings<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Jennifer Gillan<\/strong> (Bentley University): <em>&#8220;Short-form and Short-term Brandcasting: 1950s and Now&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Paul Grainge<\/strong> (University of Nottingham): <em>&#8220;Animating the Olympics: Promotion, Paratexts and Live Media Events&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Paola Brembilla<\/strong> (Universit\u00e0 di Bologna): <em>&#8220;The Institutional Fan-Made Paratext: The Case of The Van Der Memes&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Stephanie Janes<\/strong> (Royal Holloway, University of London): <em>&#8220;\u2018You Had to Be There\u2019 &#8211; ARGs and Multiple Durational Temporalities&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Kim Walden<\/strong> (University of Hertfordshire): <em>&#8220;Nostalgia for the Future. How Tron: Legacy\u2019s Transmedia Campaign Rebooted the Franchise&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Marta Boni<\/strong> (Concordia University): <em>&#8220;Poaching Reloaded. The Girl with the Dragon Tattoo: Paratexts in a Flexible World&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Presentations<\/strong>: <em>\u00abCin\u00e9ma &#038; Cie. International Film Studies Journal\u00bb, XVIII, 2012 (Valentina Re)<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Presentations<\/strong>: <em>\u00abTh\u00e9or\u00e8me\u00bb, XVII, 2013 Networking Images. Approches interdisciplinaires des images en r\u00e9seaux (Marta Boni)<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Keynote<\/strong>: <em>Jonathan Gray, &#8220;Paratextual Politics&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Valentina Re<\/strong> (Universit\u00e0 Ca\u2019 Foscari, Venezia): <em>&#8220;Attraversare la soglia. Paratesto, immanenza plurale, narrazioni transmediali&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Giulio Lughi<\/strong> (Universit\u00e0 di Torino): <em>&#8220;Paratexts in Digital Media&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Chiara Grizzaffi<\/strong> (Universit\u00e0 IULM, Milano): <em>&#8220;The Analysis of Film in the Digital Age: Online Video Essays&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Enrica Picarelli<\/strong> (Leuphana University): <em>&#8220;Critical Reflection: Acoustic Paratextuality and Ephemeral Holosonics&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Book Presentation<\/strong>: <em>Enrico Menduni (Universit\u00e0 Roma Tre), Entertainment. Spettacoli, centri commerciali, talk show, parchi a tema, social network<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Fabrice Lyczba<\/strong> (University of Paris Est Cr\u00e9teil): <em>&#8220;The Living Realities of Romance: Playing with the Illusion of Reality in 1920s Film Reception Paratexts&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Roy Menarini<\/strong> (Universit\u00e0 di Udine): <em>&#8220;From Cinephilia to Mediaphilia: The Special Relationship between Film Culture and the New Media Landscape&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Ed Vollans<\/strong> (University of East Anglia): <em>&#8220;Trailers Are Following Me: Studying, Contemporary \u2018Trailers\u2019&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Luca Rosati<\/strong> (Universit\u00e0 per Stranieri di Perugia) e <strong>Italo Marconi<\/strong> (Ubiquity, Milano): <em>&#8220;Pinterest e la crisi del paratesto&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Rosamund Davies<\/strong> (University of Greenwich): <em>&#8220;Replaying the Sims &#8211; Gameplay Narration as Paratext&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Anton Varinsky<\/strong> (Goldsmiths, University of London): <em>&#8220;Everting Secrecy &#8211; The Curious Case of DVD Easter Eggs&#8221;<\/em><\/li>\n<\/ul>\n<\/div>\n<div class=\"scroll-pane\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ephemeral Media. Time, Persistence and Transience in Contemporary Screen Culture Convegno di studi &#8211; Bologna, 21-22 maggio 2013 &nbsp; : Introduction : About MM4 proceedings (Bentley University): &#8220;Short-form and Short-term Brandcasting: 1950s and Now&#8221; (University of Nottingham): &#8220;Animating the Olympics: Promotion, Paratexts and Live Media Events&#8221; (Universit\u00e0 di Bologna): &#8220;The\u2026 <a class=\"continue-reading-link\" href=\"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/mediamutations\/mediamutations-5\/\">Continua &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":151,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/973"}],"collection":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/comments?post=973"}],"version-history":[{"count":0,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/973\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/151"}],"wp:attachment":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/media?parent=973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}