{"id":3191,"date":"2019-05-27T11:52:28","date_gmt":"2019-05-27T09:52:28","guid":{"rendered":"https:\/\/archivi.dar.unibo.it\/?page_id=3191"},"modified":"2019-05-27T11:52:28","modified_gmt":"2019-05-27T09:52:28","slug":"mediamutations-11-20-5","status":"publish","type":"page","link":"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/mediamutations\/mediamutations-11-20-5\/","title":{"rendered":"Mediamutations 11 &#8211; 20\/5"},"content":{"rendered":"<p><strong>MEDIA, DIPLOMACY AND SOFT POWER<\/strong><br \/>\nInternational Conference &#8211; Bologna, 20-21 maggio 2019<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-3191-1\" width=\"640\" height=\"360\" poster=\"\/files\/images\/20190520_mm11.jpg\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"\/files\/video2\/convegni\/20190520%20MediaMutation%2011.mp4?_=1\" \/><a href=\"\/files\/video2\/convegni\/20190520%20MediaMutation%2011.mp4\">\/files\/video2\/convegni\/20190520%20MediaMutation%2011.mp4<\/a><\/video><\/div>\n<p>&nbsp;<\/p>\n<div id=\"pane1\" class=\"scroll-pane\" style=\"width: 980px; margin: auto; height: 240px; overflow-y: scroll;\">\n<div id=\"pane1\" class=\"scroll-pane\">\n<ul>\n<li class=\"scroll-pane\"><strong>Marco Cucco, Gert Janwillens, Zhan Zhang, Giacomo Manzoli<\/strong>: <em>Introduction and Institutional Greetings<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Stanley Rosen<\/strong> (University of Southern California): <em>China&#8217;s Use of Film in Its Pursuit of Soft Power: Structural and Self-Imposed Limits in China&#8217;s Competition with Hollywood<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Yanling Yang<\/strong> (Loughborough University London): <em>Film Co-production as Soft Power Between the UK and China<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Peize Li<\/strong> (University of St. Andrews): <em>Soft Power at Networked Venues: the &#8220;Belt and Road&#8221; Initiative and the Shanghai International Film Festival<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Julia Hammet-Jamarat<\/strong> (Co-production Research Network), <strong>Katell Leon<\/strong> (Universit\u00e9 Rennes 2):<em>Produire au Sud: A Grounded Analysis of the Dynamics Between Filmmakers &#8230;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Antonio Fiori<\/strong> (Universit\u00e0 di Bologna), <strong>Marco Milani<\/strong> (University of Sheffield): <em>Soft Power or Hard Threat? The Influence of South Korean Cultural Production on North Korea and Inter-Korean Relations<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Mattew Hibberd<\/strong> (Universit\u00e0 della Svizzera Italiana): <em>A Vietnamese Perspective on Hosting the DPRK-USA Vietnam Summit 2019<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Ali Makke<\/strong> (University of Leicester): <em>The De Facto Centre &#8211; The Emergence of Dubai as a Soft Power in the Middle East<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Hasan Saliu<\/strong> (AAB College): <em>International Media&#8217;s Reports as a Counterbalance to Public Diplomacy Strategies of Kosovo&#8217;s Image<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Jingwen Qui<\/strong>, <strong>Sara Van Leuven<\/strong>, <strong>Stijn Joye<\/strong> (Ghent University): <em>News About China&#8217;s Soft Power in European Media: A Quantitative Content Analysis<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Dimitra Laurence Larochelle<\/strong> (Universit\u00e9 Sorbonne Nouvelle): <em>Soap-operas, Soft power and the Tourism Industry: The Case of Turkish Television Series<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Ece Vitrinel<\/strong> (Galatasaray University): <em>Turkey&#8217;s Television Series: Soft Power, Hard Control<\/em><\/li>\n<\/ul>\n<\/div>\n<div class=\"scroll-pane\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>MEDIA, DIPLOMACY AND SOFT POWER International Conference &#8211; Bologna, 20-21 maggio 2019 &nbsp; : Introduction and Institutional Greetings (University of Southern California): China&#8217;s Use of Film in Its Pursuit of Soft Power: Structural and Self-Imposed Limits in China&#8217;s Competition with Hollywood (Loughborough University London): Film Co-production as Soft Power Between\u2026 <a class=\"continue-reading-link\" href=\"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/mediamutations\/mediamutations-11-20-5\/\">Continua &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":151,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/3191"}],"collection":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/comments?post=3191"}],"version-history":[{"count":0,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/3191\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/151"}],"wp:attachment":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/media?parent=3191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}