{"id":2989,"date":"2018-07-05T11:09:04","date_gmt":"2018-07-05T09:09:04","guid":{"rendered":"https:\/\/archivi.dar.unibo.it\/?page_id=2989"},"modified":"2018-07-30T10:51:17","modified_gmt":"2018-07-30T08:51:17","slug":"thats-entertainment-08-9","status":"publish","type":"page","link":"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/thats-entertainment-08-9\/","title":{"rendered":"That&#8217;s Entertainment 08\/9"},"content":{"rendered":"<p><strong>That&#8217;s Entertainment!<\/strong><br \/>\nConferenza internazionale &#8211; Bologna, 7-8-9 settembre 2017<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-2989-1\" width=\"640\" height=\"360\" poster=\"\/files\/images\/20170907_that.jpg\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"\/files\/video2\/convegni\/20170908%20That&#039;s%20Entertainment.mp4?_=1\" \/><a href=\"\/files\/video2\/convegni\/20170908%20That&#039;s%20Entertainment.mp4\">\/files\/video2\/convegni\/20170908%20That&#039;s%20Entertainment.mp4<\/a><\/video><\/div>\n<p>&nbsp;<\/p>\n<div id=\"pane1\" class=\"scroll-pane\" style=\"width: 980px; margin: auto; height: 240px; overflow-y: scroll;\">\n<div id=\"pane1\" class=\"scroll-pane\">\n<ul>\n<li class=\"scroll-pane\"><strong>Krin GABBARD<\/strong> (Columbia University): <em>La La Land Is a Hit. But Is It Good for Jazz?<\/em><\/li>\n<li class=\"scroll-pane\"><strong>David ROCHE<\/strong> (Universit\u00e9 de Toulouse II &#8211; Jean Jour\u00e8s): <em>The Bitter Politics of Audio-visual Metafiction in the Digital Age<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Herv\u00e9 MAYER<\/strong> (Universit\u00e9 Paris Ouest Nanterre): <em>Debating the War on Terror in Entertainment Cinema: The Politics of Spectacle in Batman v Superman<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Celestino DELEYTO<\/strong> (Universidad de Zaragoza): <em>Land of Wolves: The Spectacle of the Border\/The Border as Entertainment in Sicario<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Zachary BAQU\u00c9<\/strong> (Universit\u00e9 de Toulouse II &#8211; Jean Jaur\u00e8s): <em>Film Documentary, Government Propaganda, and Entertainment: The Case of Lorentz\u2019s Films of Merit<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Costanza SALVI<\/strong> (Independent Scholar): <em>Crooners &#038; Cowboys: How 1930s American Sensibility Was Shaped by Vocal Tracks<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Silvia VACIRCA<\/strong> (Universit\u00e0 di Roma La Sapienza, Richmond University): <em>They Had Faces: Max Factor and the Making of the Star Close-up in 1930s Hollywood<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Penny STARFIELD<\/strong> (Universit\u00e9 de Caen Normandie): <em>Re-creating the West: Robert Altman\u2019s Buffalo Bill and the Indians, or Sitting Bull\u2019s History Lesson(1976)<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Lucio SPAZIANTE<\/strong> (Universit\u00e0 di Bologna): <em>The Role of Audiovisuals in Building the Pop Celebrities\u2019 Identities<\/em><\/li>\n<li class=\"scroll-pane\"><strong>C\u00e9line MURILLO<\/strong> (Universit\u00e9 Sorbonne Paris Cit\u00e9): <em>TV Party and Social(ist) Events in No Wave Films<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Alessandra CHIARINI<\/strong> (Universit\u00e0 di Bologna): <em>Excitingly Different and Disquieting Unusual: Entertainment and the Incredibly Strange Culture<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Jean-Fran\u00e7ois BAILLON<\/strong> (Universit\u00e9 Bordeaux-Montaigne): <em>The World Is a Stage: Entertainment, Spectacle, and Mike Leigh\u2019s Discourse of Class<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Isabelle LE CORFF<\/strong> (Universit\u00e9 de Bretagne Occidentale): <em>British Nonsense and the Culture of Recreation in Film<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Kristian FEIGELSON<\/strong> (Universit\u00e9 Sorbonne-Nouvelle): <em>Post-Bollywood: Entertainment Through Globalization?<\/em><\/li>\n<\/ul>\n<\/div>\n<div class=\"scroll-pane\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>That&#8217;s Entertainment! Conferenza internazionale &#8211; Bologna, 7-8-9 settembre 2017 &nbsp; (Columbia University): La La Land Is a Hit. But Is It Good for Jazz? (Universit\u00e9 de Toulouse II &#8211; Jean Jour\u00e8s): The Bitter Politics of Audio-visual Metafiction in the Digital Age (Universit\u00e9 Paris Ouest Nanterre): Debating the War on Terror\u2026 <a class=\"continue-reading-link\" href=\"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/thats-entertainment-08-9\/\">Continua &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":103,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/2989"}],"collection":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/comments?post=2989"}],"version-history":[{"count":0,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/2989\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/103"}],"wp:attachment":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/media?parent=2989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}