{"id":2937,"date":"2018-05-29T14:38:25","date_gmt":"2018-05-29T12:38:25","guid":{"rendered":"https:\/\/archivi.dar.unibo.it\/?page_id=2937"},"modified":"2018-07-30T11:02:41","modified_gmt":"2018-07-30T09:02:41","slug":"mediamutations-10-22-5","status":"publish","type":"page","link":"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/mediamutations\/mediamutations-10-22-5\/","title":{"rendered":"Mediamutations 10 &#8211; 22\/5"},"content":{"rendered":"<p><strong>THE &#8220;-TAINMENT&#8221; EFFECT<\/strong><br \/>\nInternational Conference &#8211; Bologna, 21-22 maggio 2018<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-2937-1\" width=\"640\" height=\"360\" poster=\"\/files\/images\/20180521_mm10.jpg\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"\/files\/video2\/convegni\/20180522%20MediaMutation%2010.mp4?_=1\" \/><a href=\"\/files\/video2\/convegni\/20180522%20MediaMutation%2010.mp4\">\/files\/video2\/convegni\/20180522%20MediaMutation%2010.mp4<\/a><\/video><\/div>\n<p>&nbsp;<\/p>\n<div id=\"pane1\" class=\"scroll-pane\" style=\"width: 980px; margin: auto; height: 240px; overflow-y: scroll;\">\n<div id=\"pane1\" class=\"scroll-pane\">\n<ul>\n<li class=\"scroll-pane\"><strong>Denise Mann<\/strong> (UCLA): <em>The Tyranny of Tech Empires. Engineering Consumer Containment Inside Digital Ecosystems<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Josephine Remon<\/strong> (Universit\u00e9 Lyon 2): <em>The &#8220;Wow2 Factor in Choosing Digital Resources for Teaching. Entertainment or Empowerment?<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Roberta Pearson<\/strong> (University of Nottingham): <em>The Star Trek Infotainment Complex and &#8220;Slow&#8221; Versus &#8220;Fast&#8221; Fandom<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Carolina Fernandez Castrillo<\/strong> (New York University-Madrid and Madrid Open University): <em>Politainment. Mutant Identities and Pop Culture Memes<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Elisabetta Locatelli<\/strong> (Universit\u00e0 Cattolica del Sacro Cuore, Milano): <em>The &#8220;Engagement Effect&#8221;. The Social Media Communication of Netflix in Italy<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Ishani Dey<\/strong> (Jawaharlal Nehru University, New Delhi): <em>Swimming with Whales. The India Chapter<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Gianni Sibilla<\/strong> (Universit\u00e0 Cattolica del Sacro Cuore, Milano): <em>The Concert Will Be Televised. The Influence of TV Entertainment on Pop Concerts (and vice versa)<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Nurulhamimi Abdul Rahaman<\/strong> (University of Liverpool), <strong>Syamsul Hidri Muhid<\/strong> (University of Liverpool): <em>Exploring the Impact of New Media in the Entertainment Industry. A Malaysian Music Reality TV Show<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Marta Perrotta<\/strong> (Universit\u00e0 Roma Tre): <em>Entertaining the Driver. How Radio and Streaming Services Compete for the Music Experience in the Car<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Emiliano Rossi<\/strong> (Universit\u00e0 di Bologna): <em>On Air, in Air. Inflight Cinema as the Leading Frontier of On-the-Go Entertainment<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Ester Wright<\/strong> (University of Warwick): <em>Historical and Cinematic Information as Entertainment in Video Game Promotion<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Stefano Locati<\/strong> (Universit\u00e0 IULM, Milano): <em>The Survival Mediasphere. Dystopic Games in the Japanese Media Mix<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Paolo Carelli<\/strong> (Universit\u00e0 Cattolica del Sacro Cuore, Milano): <em>Telling a Sports Story . Creation and Production Strategies of Federico Buffa\u2019 s Programs on Italian Pay TV Channels<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Presentation of the new website of the CUC<\/strong><\/li>\n<\/ul>\n<\/div>\n<div class=\"scroll-pane\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>THE &#8220;-TAINMENT&#8221; EFFECT International Conference &#8211; Bologna, 21-22 maggio 2018 &nbsp; (UCLA): The Tyranny of Tech Empires. Engineering Consumer Containment Inside Digital Ecosystems (Universit\u00e9 Lyon 2): The &#8220;Wow2 Factor in Choosing Digital Resources for Teaching. Entertainment or Empowerment? (University of Nottingham): The Star Trek Infotainment Complex and &#8220;Slow&#8221; Versus &#8220;Fast&#8221;\u2026 <a class=\"continue-reading-link\" href=\"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/mediamutations\/mediamutations-10-22-5\/\">Continua &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":151,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/2937"}],"collection":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/comments?post=2937"}],"version-history":[{"count":0,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/2937\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/151"}],"wp:attachment":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/media?parent=2937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}