{"id":2507,"date":"2017-05-30T14:38:28","date_gmt":"2017-05-30T12:38:28","guid":{"rendered":"http:\/\/archivi.dar.unibo.it\/?page_id=2507"},"modified":"2018-07-30T11:07:04","modified_gmt":"2018-07-30T09:07:04","slug":"mediamutations-9-235","status":"publish","type":"page","link":"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/mediamutations\/mediamutations-9-235\/","title":{"rendered":"MediaMutations 9 &#8211; 23\/5"},"content":{"rendered":"<p><strong>THE FORMAT FACTOR<\/strong><br \/>\nInternational Conference &#8211; Bologna, 23-24 maggio 2017<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-2507-1\" width=\"640\" height=\"360\" poster=\"\/files\/images\/20170523_mm9.jpg\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"\/files\/video2\/convegni\/20170523%20MediaMutations%209.mp4?_=1\" \/><a href=\"\/files\/video2\/convegni\/20170523%20MediaMutations%209.mp4\">\/files\/video2\/convegni\/20170523%20MediaMutations%209.mp4<\/a><\/video><\/div>\n<p>&nbsp;<\/p>\n<div id=\"pane1\" class=\"scroll-pane\" style=\"width: 980px; margin: auto; height: 240px; overflow-y: scroll;\">\n<div id=\"pane1\" class=\"scroll-pane\">\n<ul>\n<li class=\"scroll-pane\"><strong>Luca Barra and Paola Brembilla<\/strong> (Universit\u00e0 di Bologna): <em>Introduction<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Jolien Van Keulen<\/strong> (Vrije University, Brussels): <em>The Transnational TV Production Industry. A System of Connections and Exchanges<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Paul Torre<\/strong> (University of Northern Iowa): <em>The U.S. Market for Television Formats. Repurposed Content and Industry Lifecycles<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Ira Wagman<\/strong> (Carleton University, Ottawa): <em>Circulatory Histories of Canadian Television Networks in 1990s Latin America<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Leora Hadas<\/strong> (University of Nottingham): <em>Israel\u2019s Global TV Creators. Industrial and Professional Narratives in a Format-Driven Industry<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Marta Perrotta<\/strong> (Universit\u00e0 Roma Tre): <em>A Well-Oiled machine. Investigating the Italian Street Food Format &#8220;Unti e Bisunti&#8221;<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Lauhona Ganguly<\/strong> (The New School, New York): <em>Levels of Production in Transnational Television Formats. The Global, Local and Hyper-Local Levels of Making Indian Idol<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Daniela Cardini<\/strong> (Universit\u00e0 IULM, Milano): <em>Art is a Format. The Challenging Story of an (Italian) Talent Show<\/em><\/li>\n<li class=\"scroll-pane\"><strong>J\u00e9r\u00f4me Bourdon<\/strong> (Tel Aviv University): <em>Beyond Television. Theorizing the Format in Cultural History<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Tobias Steiner<\/strong> (Universit\u00e4t Hamburg): <em>Bron\/Broen, the Pilot Episode as Space between Cultures, and (Re)Negotiations of Nordic Noir<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Pia Majbritt Jensen<\/strong> (Aarhus University): <em>&#8220;Original Good, Adaptation Bad&#8221;. Investigating the Deeper Reasons behind Australian Audience Preference for the Nordic Versions of Forbrydelsen and Bron\/Broen<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Sebnem Baran<\/strong> (University of Southern California): <em>Crossing the Western Borders. The End as the Beginning of New Television Flows?<\/em><\/li>\n<li class=\"scroll-pane\"><strong>Deniz Berfin Ayaydin<\/strong> (Vrije University, Brussels): <em>Is There a Community in Umutsuz Ev Kadinlari? The Reception of the Turkish Version of Desperate Housewives<\/em><\/li>\n<\/ul>\n<\/div>\n<div class=\"scroll-pane\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>THE FORMAT FACTOR International Conference &#8211; Bologna, 23-24 maggio 2017 &nbsp; (Universit\u00e0 di Bologna): Introduction (Vrije University, Brussels): The Transnational TV Production Industry. A System of Connections and Exchanges (University of Northern Iowa): The U.S. Market for Television Formats. Repurposed Content and Industry Lifecycles (Carleton University, Ottawa): Circulatory Histories of\u2026 <a class=\"continue-reading-link\" href=\"https:\/\/archivi.dar.unibo.it\/index.php\/archivi-video\/conferenze\/mediamutations\/mediamutations-9-235\/\">Continua &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":151,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/2507"}],"collection":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/comments?post=2507"}],"version-history":[{"count":0,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/2507\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/pages\/151"}],"wp:attachment":[{"href":"https:\/\/archivi.dar.unibo.it\/index.php\/wp-json\/wp\/v2\/media?parent=2507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}